Sometimes called speculative fiction, a genre of writing that is concerned with a world removed in some fundamental way from our own, whether in time, attitude or knowledge. It encompasses many sub-genres such as HardScienceFiction, where the implications of possible scientific advance are explored, SpaceOpera, which usually includes scantily clad alien babes and BugEyedMonsters?, and Utopian or Dystopian visions of the future. Depending on whom you ask, the line between ScienceFiction and fantasy tends to blur, and AlternateHistory, which explores the result of some change in the past, doesn't fit comfortably under either term, but is often discussed with both.
SciFi is my favourite genre of fiction. I first starting reading SciFi at the age of sixteen when I started work in a supermarket. I often spent my lunches reading old SciFi books purchased from the local market. -- ChrisWatson
"ScienceFiction is something that could happen - but usually you wouldn't want it to. Fantasy is something that couldn't happen - though often you only wish it could."
ArthurCeeClarke in the Introduction to "The Collected Stories of Arthur C. Clarke"
(Yes, that's just the sort of thing one would expect Clarke to say. It's subtly wrong, in a nasty way, but it's close enough for most purposes.)
Key Outside ScienceFiction Web Pages
the list seems to be coming along nicely, but we could use a concise definition. Maybe:
Certainly ScienceFiction, like science itself, is based on the assumption that the universe is knowable even though the greatest part of it may be unknown and may be destined to remain mysterious for the life of any of us, or, indeed, the life of all of us, by which I mean the human species. The knowable universe has no room for the supernatural, or those experiences that by their very nature can never be "known." To bring experiences of the transcendent or the ineffable into the natural world is to destroy one or the other.
Are you saying here that the science-fiction worldview has no place for the divine, or the mysterious, or anything that cannot be cleanly classified as some sort of scientific phenomena? I can think of a couple of ScienceFiction authors who might argue against such a distinction, including AlanMoore, WilliamBurroughs, and KurtVonnegut. -- francis
I think the key word in the original text was "knowable" rather than known. Also, I'm not sure that WilliamBurroughs can be classed as ScienceFiction within the definition we're discussing. And KurtVonnegut is even more difficult - I'll grant you something like "Galapagos" is SF (Darwin again...), but SlaughterhouseFive, say, is much less easy to pidgeonhole.
KurtVonnegut has written about: new molecules (Ice Nine in "Cat's Cradle"), evolution ("Galapagos"), the mechanization of all work ("Player Piano"). WilliamBurroughs, in "Naked Lunch", writes about topics such as cloning, psychic mind control, and (if I remember correctly) genetic engineering. I know that most ScienceFiction fans don't consider the two authors part of the genre, but I've never understood concretely why. Can someone offer a useful definition of the genre that excludes the two?
As for the question of "knowability", I don't understand what use there is in a distinction between the "known" and the "knowable". If that's simply the distinction between what we rationally know today, and we can rationally know in the future, that doesn't really address the issue of knowledge that is transcendent, or mystical, or instinctive. -- francis
You raise good points. I have to think about it.
There is a distinction clear and concise between the "known" and the "knowable". If you start with a philosophical "I think therefore I know" and proceed along the lines of how one comes to "know". Knowledge is proliferated, the "known" is what is in ones "mind set". The "knowable" is that external to that mind set which can become a part of that set. In a secular sense, a library is full of "knowable" knowledge, a university is an agent of change in the conversion of what is "knowable" into what is "known". If by transcendent, mystical, instinctive you mean thoughts not extracted from the secular "knowable" mentioned, you are talking about ideas, which seem to come from nowhere, when in fact they do come from somewhere, even if that somewhere is the subconscious, or a spiritual awareness. Ideas also come to be known, but must be proliferated through oral or written communication to be "knowable".
Also, consider that heavily-explained magic can still fit into a SF paradigm. Consider the treatment of magic in some LarryNiven stories, such as "Burning City" or the short story "What Good is a Glass Dagger?" Magic exists, but it involves a natural resource, "manna", which is channeled by a mage and is limited in quantity. Although it's a supernatural phenomenon, it's explainable, quantified, and subject to its own "natural" laws. It may be outside of our everyday experience, but since it can be understood, I think it still qualifies as SF, or perhaps "ScienceFantasy?" (see below). -- JosephRiesen
My understanding was that Vonnegut's resistance to being labeled SF was a marketing ploy, which he has softened on considerably now that he is safely famous. I'll never forget a friend of mine, as I was trying to explain that not all SF sucked, who said, "But Vonnegut can't be science fiction, Vonnegut is good." She never was too fond of logic (and at least admitted it). My personal definition of SF is that genre which attempts to disprove all definitions hazarded for it. -- JohnAbbe
The event on which this fiction is founded has been supposed, by Dr. Darwin, and some of the physiological writers of Germany, as not of impossible occurrence. I shall not be supposed as according the remotest degree of serious faith to such an imagination; yet, in assuming it as the basis of a work of fancy, I have not considered myself as merely weaving a series of supernatural terrors. The event on which the interest of the story depends is exempt from the disadvantages of a mere tale of spectres or enchantment. It was recommended by the novelty of the situations which it develops; and, however impossible as a physical fact, affords a point of view to the imagination for the delineating of human passions more comprehensive and commanding than any which the ordinary relations of existing events can yield.
To see the original essay "The Worldview of Science Fiction" by James Gunn (with the proper attributions), see http://web.archive.org/web/20030418063721/http://falcon.cc.ku.edu/~sfcenter/sfview.htm. -- KyleBrown
Can one distinguish between ScienceFiction and ScienceFantasy?? Does anyone even have a good definition? I see the two of them lumped together often, and every now and then a mellow argument breaks out between various people I know. I have yet to see a good, solid definition that makes any sense...
Science fiction differs from science fantasy in that science fiction must obey the Laws of Nature. (That's one view.)
I think 'ScienceFantasy?' is sort of an arbitrary assertion, when you want to describe a novel with a bit of science that also contains fantasy elements. For instance, consider a lot of work by RogerZelazny, such as Creatures of Light and Darkness, or Changeling. Or, for that matter, where do Piers Anthony's 'Blue Adept' novels fit in? There's science... but there's fantasy. As such, I think 'ScienceFantasy?' is sort of a warning label to explain that there's real magic or something similar going on, not just more "easily explained" processes like psionics. Generally speaking, when supernatural elements become involved that aren't explainable (and are more than just philosophical) in the context of the book, that's where fantasy leaks in. Just my two cents. :) -- JosephRiesen
One of the problems in defining science fiction is that there are at least three broad definitions that I'm aware of:
TechLand's 5 most underrated sci-fi flicks: http://techland.time.com/2010/01/09/underrated-sci-fi/